The Lieutenant Of Innishmore

So.

There are two more weekends left in the run of The Lieutenant of Innishmore at the Tampa Bay Performing Arts Center.  I’m getting a pretty clear vibe from my friends at Jobsite that they could really use some help getting asses in seats for the last eight performances of the show.  We say that a lot (and we always mean it), but it’s particularly important that this show make money for us – or at least break even.  Why?  Because it was hellishly expensive to produce.  Jobsite took a big risk with this production and really made an effort to bring Tampa Bay a show that was unique, and they succeeded.  The special effects alone in this show are totally worth seeing it, and that frankly took up a huge portion of the budget.

But hey, don’t go see it for charity reasons.  In fact, I can supply you with a list of reasons why you should get off your ass and get over to TBPAC to check it out.

  1. All three major newspapers gave the show glowing reviews, as did several local blogs.  This doesn’t happen all that often.  Take, for example, Picasso at the Lapin Agile.  It was one of the biggest hits Jobsite ever had, but the Tampa Tribune absolutely trashed it.  When all the local critics agree a show is worth seeing you might want to stand up and listen.
  2. The writer of The Lieutenant of Innismore, Martin McDonagh, has won several awards and was most recently nominated for an Acadamey Award for In Bruges.
  3. The special effects are totally awesome.
  4. The cast and crew is made up of some of my favorite people in the world who have been working insanely hard to bring Tampa a quailty production.  They spend an hour and a half after every performance cleaning the stage and getting it ready for the next show.  That means that on a good night they are getting home around midnight and almost all of them still have day jobs (Tampa doesn’t really support living wages for actors).  I’ve been watching them like a worried old man for the last few weeks, cautioning them to make sure to eat well and get plenty of rest.  Every show deserves to make enough to let the actors see some extra scratch in the final paycheck, but this show in particular is requiring lots of effort beyond the actual acting.
  5. Kari Goetz and Matt Lunsford have great chemistry.  Seriously.  Such talented actors!  Also, they are both hot (least that’s what I hear about Matt.  Tall, blonde haired blue eyed englishmen don’t really do it for me, though).  Eye candy doesn’t suck.
  6. It’s funny as hell.  I probably should have mentioned that before, but it really is.
  7. Greta will scold you if you don’t go.  You don’t want that.  Seriously.
  8. Tickets to see the show are only $24.50, and if you pay attention to the Jobsite Blog or follow them on Twitter you can often get some great list minute ticket prices.  Considering the high cost of Broadway tickets these days, supporting local theater for the cost of a movie with popcorn and a drink is a great deal.  You can also see said movie at any time when it comes out on DVD.  Once a Jobsite show closes that unique experience is lost forever.
  9. I’m Irish.  This show is about Irish people.  If you don’t go see this show it must mean you hate Irish people and, by extension, me.
  10. Every single person in this production has a better Irish accent than Sean Connery.

Ok, I think I’ve made my point.  Please, go see The Lieutenant of Innishmore.  Support Local Theater!!

Rosencrantz and Guildenstern – FINAL THREE SHOWS

The blockbuster run of Rosencrantz and Guildenstern are Dead  MUST CLOSE on April 27th to make way for the State Thespian Festival next week. We have 3 remaining shows: Fri and Sat (4/25-26) at 8pm and Sun at 4pm.

Over half of all of the regularly scheduled performances sold out, and many others were just short of that mark. Local critics and regular theater patrons have been a-twitter about Jobsite’s staging of this contemporary classic of the theater:

“The current Jobsite production of Rosencrantz and Guildenstern are Dead is the best version of the play I’ve ever seen … every problem the play has is brilliantly solved by director Katrina Stevenson and her four main actors…” – Creative Loafing

“It’s fun, fast-paced and relentlessly clever … Jenkins and Paonessa [have] never been better than they are here under Katrina Stevenson’s direction. Their timing – comic and dramatic – is excellent, and they both find just enough depth in their characters to keep us interested. If their performances weren’t so strong, Paul J. Potenza might steal the show with his manic and crusty turn as the Player, who is likewise elevated from minor status in Hamlet to a central role.” – St. Petersburg Times

“Stoppard’s existential play is filled with more head-spinning rhetoric than a political convention. It needs a steady hand to ground it long enough for audiences to enjoy the frivolity, and Jobsite’s cast and crew did just that … [Jenkins] captured the oblivious innocence of a child playing with matches … [Paonessa’s] sense of powerlessness was palpable … Potenza was outstanding as the Player. He commanded the stage with a dynamic performance.” – Tampa Tribune

This production is already the third highest-attended and top-grossing play in Jobsite’s history, behind only The Pillowman and this season’s landmark season opener Gorey Stories.

Jobsite truly hopes you can send us out with a bang! Since this weekend was recently added, we have ample inventory for all performances. If you need to take advantage of the student, senior or military rush offers on tickets – check back here as the week goes on and we’ll keep you updated if we expect any tickets to remain to those performances as of that half-hour window.

But why not just go ahead and nab your ticket now and be done with it?

(reposted from here)

So far everyone I know who has seen the show has loved it, and this weekend is your final chance to catch it before it is gone forever.  I’ve heard several people say that they didn’t care for the script prior to their viewing of this production and that this was the one that finally made things make sense (including the reviewer for Creative Loafing).  Don’t miss this opportunity to not only see a great show but support live, local theater as well!  

Gorey Stories – Two weekends Left!

As of this point, you’ve only got 4 more chances to see Gorey Stories, so what are you waiting for?  There is still a CHANCE that we may extend another weekend, but don’t count on it.  Get your tickets now!

Ok…personal appeal.  We’re looking pretty darn light for Friday night as it currently stands.  If you’re looking to see the show it would help us a LOT if you could come out tomorrow.  We really feed off the audience in this show and could definitely use more butts in seats.

Seen it already?  Come see it again.

And hey, with the house looking that light at this point it’s the perfect chance for you Seniors, Students, and Military folks to take advantage of our rush tickets.

Come. See. The. Show.

Prz?

Gorey Stories Review #1 – Tampa Tribune

You May Die Laughing At ‘Gorey’ Performance, Kathy L. Greenburg (The Tampa Tribune. October 22nd, 2007)

 

Jobsite Theater has evoked the world of Edward Gorey for its 2007-08 season opener — traditionally creepy-crawly for Halloween — and what a delightfully wicked world it is.

”Gorey Stories,” directed by David M. Jenkins, is more fun than a barrel of jellied monkey eyes or waiting for the Great Pumpkin to arrive.

Picture, if you will, guests gathered for a parlor party on a palette of blacks, whites and grays. For entertainment, the guests, who look as if they’re members of the Addams family, take turns narrating and performing 18 limericks, stories and poems written by Edward Gorey.

True to the illustrator-author’s tongue-in-cheek humor, the vignettes depart from the innocent play of bygone gentility and turn toward the dark side. Nursery rhyme monsters, orphaned children and murderous adults collide in an energetic improvisation of the undead: No child is safe once kidnapped by the mind-altering Insect God. Illiteracy would run rampant if teachers used ”The Gashlycrumb Tinies” to teach the ABCs (”A” is for Amy, who fell down the stairs; ”B” is for Basil, assaulted by bears. …).

Through spoken word, song and dance, the cast portrays willful carnage and debauchery with lively humor. They seem to revel in the chance to perform as unsupervised, naughty children in a ”Lord of the Flies” underworld.

Summer Bohnenkamp-Jenkins (Mona) perfects the grim pout of a ticked-off dead girl, while Steve Garland conjures the spirit of Anne Rice’s vampire Lestat for his part as Jasper Ankle, a fey and fun-loving opera fan. Jason Vaughan Evans is droll as C.F. Earbrass, a decrepit writer who appreciates the vehicular capabilities of rolling desk chairs. The rest of the cast equally embraces the melodrama and hyperexaggeration of their roles, fueling an evening of nonstop laughter, a few inhalations of shock and a standing ovation at the end.

Jenkins’ production presents great contrasts in culture, from the three-piece orchestra (Angela S. Lakin, Christina Chen, Zi Ning) that perform classical music while hatchets are raised to arias and chorals about death and devastation. Even the genteel tradition of oral storytelling is turned on its head with cheeky gestures. These directorial twists only serve to complement Gorey’s penchant for irony, as well as to lure the audience into a false sense of propriety.

Furthering this dark weirdness are costume designs by Katrina Stevenson (who also played Lady Celia) and Brian Smallheer’s set and lighting, which incorporates Gorey’s distinctive illustrations and shadowy imagery. With just a screen, the actors and a change in lighting, Smallheer creates clever, sometimes bawdy, silhouettes. The effect is like turning a page in a book and finding a picture as fantastic as the story being told.

Tickets are still available here.  If you haven’t purchased your tickets yet, please consider getting them for our (current) final weekend.  Pre-sales for that weekend are what will determine if we extend an additional week or not.

Opening Night….

Went amazingly well.  What a phenomenal audience, including the most precious little girl who came wearing a Gashlycrumb Tinies T-Shirt.  She looked to be around five, and after the performance she was standing out front holding one of the white boa feathers that fell off during the show as if it were some great treasure.  What was really funny is that she was standing there with her family pointing at us and saying making sure they knew who we were (my favorite being “THAT’S LITTLE HENRY!”), but she completely shut down and got shy when we actually went up to talk to her.

Kids rock.

But hey, don’t just take my word on it.  Check out a few of the comments that are sparking up on livejournal already…

I just saw Jobsite’s “Gorey Stories” and it was seriously the best stage performance they have ever done. YOU MUST SEE THIS SHOW! I was absolutely *blown away* by this show. F’ing hilarious and simultaneously exquisite in every way!

, commenting in the

community

LOVED it! My bf and I were obnoxiously quoting lines at each other on the drive back to Orlando. Any plans for putting the soundtrack on CD?

 –

, commenting on a post in my livejournal.

Just found out this morning that a few of my co-workers are coming to see the show, too.  So should you!  (You knew there’d be a shill in here somewhere).  Tickets are still available!

Gorey Stories selling fast!

The cast of Gorey Stories

Pictured: (back row, l-r) Steve Garland, Michael C. McGreevy, Spencer Meyers;
(middle) Jason Evans, Jaime Giangrande-Holcom, Katrina Stevenson, Roz Potenza, David Valdez;
(floor) Summer Bohnenkamp-Jenkins

Gorey Stories has now officially sold out our Friday, Saturday and Sunday performances this weekend.  There are still tickets available for opening night (tonight!!) and the following weekends.  As word gets out about the show tickets are really going to start moving, so get yours now!

Gorey Stories opens this weekend!

And thus, it comes to this. We are down to the last few days before Gorey Stories opens. Those final few moments of adjustments, fixes, and beating bits over and over again to get them just right. This is where the really hard work is. Pushing yourself that extra mile trying to find your mark. Trying to figure out what exactly it is you need to do to give the director exactly what he or she needs.

It’s rough stuff.

Of course, it’s also one of the reasons why companies like Jobsite continue to churn out phenomenal productions. There is no resting until the show is where it needs to be, and believe me when I say that in productions where that hasn’t happened by opening night the work continues.

So now comes the point when I try to convince you all to come see the show.

Let me start by saying up front that the show is, so far, selling really well. Tickets for a fourth weekend are being made available today at noon, and we have the option for adding a fifth as well.

And that, my friends, is why I’m not only asking you to come but to buy your tickets in advance. Like, now.

Let me be frank – I don’t do these shows for the paycheck. I do them because I respect and admire the work that Jobsite does, and I’m always honored when I get the chance to play in the sandbox. I do them to balance my creative side with my day job, so that I don’t spend my entire life wondering how I ended up working in the corporate world. I do them because, despite the hard work and the long hours away from my family, it’s fun and rewarding.

But I also enjoy getting paid – and Jobsite pays the cast and crew for doing a production. One of the big goals they have is to get to a point where they can offer their ensemble “living wages” for doing a show. That would be a bit of a stretch for my personal situation (considering my day job), and in the past I’ve been lucky if my check covered what I spent on gas and other assorted expenditures during the run of the show.

If, however, we manage to add a fourth or fifth weekend, that could change pretty dramatically. As this check is arriving at the end of November, it means a better Christmas for our boys. That’s right, bitches. I’m pulling out the “help our poor, deprived sons have a wonderful Christmas” card.

What more could you want out of a Halloween show? It’s Edward Gorey! It’s spooky! It’s sexy! It’s funny!

And I’m in it. And we all know I rule.

Oh, and it isn’t too late to get season tickets, either.

For more information about the show and to see some of the inspiration behind it, visit the Jobsite Blog.